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Offline Quags

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Re: Post ah movie thread
« Reply #120 on: January 28, 2009, 06:22:21 PM »
Gran Torino was really good seen it last nite .

Read in the Toronto sun about the Wrestler ,he said think Jake the snake roberts .

Offline capodetutticapi

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Re: Post ah movie thread
« Reply #121 on: January 28, 2009, 06:45:06 PM »
ah hear chris jericho call out mickey to ah bare knuckle fist fight
soon ah go b ah lean mean bulling machine.

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Re: Post ah movie thread
« Reply #122 on: January 30, 2009, 04:50:11 PM »
saw defiance today.worth ah look.
soon ah go b ah lean mean bulling machine.

Offline pass(10trini)

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Re: Post ah movie thread
« Reply #123 on: January 30, 2009, 09:06:30 PM »
EHy Norseman and pathfinder is 2 decent movie.

Pathfinder was decent.
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Re: Post ah movie thread
« Reply #124 on: January 30, 2009, 11:13:40 PM »
ah watchin
"Cry Freedom"
I remember it like it happened yesterday

By Deborah Earle
"Fresh from his 1983 Oscar triumph with the film, "Gandhi", director Richard Attenborough tackles the more timely topic of Apartheid in this stirring 1987 drama.
The always-spectacular Denzel Washington and Kevin Kline have the accents down pat in their lead roles as South African Freedom Fighter, Steven Biko, and journalist Donald Woods.
Washington's interpretation of Biko's dignity in the face of the vicious symbols of White authority is more than highly reminiscent of Ben Kingsley's performance in "Gandhi". It is marvelous to watch Washington and Kline interact with each other.
The story begins as dawn arises over a desperately impoverished township in the 1970s. Despite their marginalized existance in their own land, the Black Africans have a certain dignity about them, which makes them truly noble.
Soon, whatever calm existed amid the squalor is shattered by armoured cars of the White South African police, who maraud the township, and attack the innocent, unarmed occupants in a moment that evokes pure outrage.
We meet the White South African journalist destined to help turn the country around while hearing an inaccurate narrative of the events in the aforementioned township, as printed in the "Daily Dispatch", for which Woods is the editor.
Donald Woods, whose family had lived in South Africa for five generations, considers himself a liberal where the issue of Apartheid is concerned. But his path in life begins to change when one Dr. Ramphele (an exotically beautiful, and beautifully spoken Josette Simon) courageously arrives at Woods' office to personally express displeasure about about the paper's commentary about her friend, Steven Biko, and personally invites Woods to meet him.
Woods is led to a community center for Blacks where Biko's wife, Ntsiki (Juanita Waterman), with her beautiful son, Nkosanthi (George Lovell) in tow, escorts him to a shady area of a yard, where her banned husband can first be viewed in silhouette behind he leaves of a tree.
We see the contrast in Woods' own life --his lovely home in an affluent suburb with his wife, Wendy (Penelope Wilton), five children(Kate Hardie as Jane, Graeme Taylor as Dillon, hamish Stuart Walker as Gavin Adam Stuart Walker as Duncan, and Spring Stuart Walker as Mary), maid Evilina(Sophie Mgcina), and dog, Charlie.
Biko takes Woods on a trip through the Black townships, and introduces him to those helping in the Resistance Movement, most notably, Father Kani(Zakes Mokae). Soon, Woods' photographer, Ken(Kevin McNally, who later appeared with Kline in "De-Lovely") is accompanying Woods and Biko to soccer games that turn into Black political meetings, despite Steve's being a banned person, and both ken and Donald bravely join Biko in his quest to end Apartheid. Soon, Woods is facing he same risks as Biko as he brings Blacks to work in his news room to report the news about the Black community more accurately.
A raid on the Black community center led by one Captain De Wet (Timothy West) prompts Woods to speak with Pretoria's High Commissioner, James Kruger (John Thaw), which does more harm than good, as the police begin to harass Woods' family.
In the meantime, Biko continues to deny White authorities, practicing his belief in his own freedom and his right to travel wherever he wants to in his own land.
Tragically, the law catches up to Biko, and when he is beaten to death by the South African police-- who claim he died during a hunger strike--Woods must expose the truth about what happened---not just locally, but before the whole world.
After attending the beautiful and moving ceremony that is Steven Biko's funeral, Woods learns that he is a banned person, as was Steven; he is sentenced to five years where he cannot write anything publically or privately, nor can he be in the company of more than one person at a time aside from those of his immediate family. He decides that his family must leave South Africa because a publishing company in London wants his story on Steve. His wife objects to this at first. But when the attacks against her family mount, including threatening phone calls, vandalism, and finally, the delivery of chemically contaminated T-shirts to the children, she agrees, and the family find ways around police surveillance to become the 1970s answer to the Von Trapp family, leaving behind a comfortable life under a racist regime from which they might have easily benefitted to convey the story of Biko's struggle to the world.
The scenes of the 1976 massacre of schoolchildren are brutal, but important, as is the lesson provided by this film about how racial injustice does not stay compartmentalized to those for whom it is intended.
Among those helping him reach Lesotho are his friend, Father Kani, at one point, the South African police themselves, as Woods is incognito, and later, there is even assistance from a fellow bearing the rather symbolic name of Moses (Joseph Marcell).
The family's departure from their troubled homeland is almost as triumphant as the onscreen portrayal of the Von Trapp's exodus from Hitler's Austria in "The Sound of Music", but trailed by a very solemn message of a then-still-existing problem in South Africa.
As a coda to this story, the film resulted in a lifelong friendship between the real Donald Woods and his portrayer.
Some may feel that the African actors should have had more screen time. But even so, with Washington's amiably dignified performance counterbalanced by Kline's scholarly and nuanced style, both actors can feel satisfied that the making of this film was among the most important two hours they ever spent onsceen. "
http://www.amazon.com/review/R1YB4EUCR38TE8
« Last Edit: January 30, 2009, 11:36:09 PM by WestCoast »
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Offline dinho

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Re: Post ah movie thread
« Reply #125 on: January 31, 2009, 09:07:08 PM »
Taken was a more than decent movie..

i was interested to see how Liam Neeson would work in a cold hearted kinda role but i think he did a pretty good job. some of the gunplay was a lil unbelievable, like ah man spray bullets at him while he not looking and miss.. but all in all, an enjoyable film.

that human trafficking scene is really something else yes.
         

Offline richpy

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Re: Post ah movie thread
« Reply #126 on: January 31, 2009, 11:07:29 PM »
saw defiance today.worth ah look.

Yeah Defiance is a solid movie. Daniel Craig and Liev Schrieber especially, are good. Check out Underworld Rise of the Lycans. It was surprisingly good. I was disappointed after I read they were going back to expound on things we already knew(trying not to give it away).  I was also disappointed that Kate was not going to be in it.
However, now I would say it was the best of the three.
Ketch footballitis

Offline Bakes

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Re: Post ah movie thread
« Reply #127 on: February 01, 2009, 12:53:13 AM »
ah watchin
"Cry Freedom"
I remember it like it happened yesterday

By Deborah Earle
"Fresh from his 1983 Oscar triumph with the film, "Gandhi", director Richard Attenborough tackles the more timely topic of Apartheid in this stirring 1987 drama.
The always-spectacular Denzel Washington and Kevin Kline have the accents down pat in their lead roles as South African Freedom Fighter, Steven Biko, and journalist Donald Woods.
Washington's interpretation of Biko's dignity in the face of the vicious symbols of White authority is more than highly reminiscent of Ben Kingsley's performance in "Gandhi". It is marvelous to watch Washington and Kline interact with each other.
The story begins as dawn arises over a desperately impoverished township in the 1970s. Despite their marginalized existance in their own land, the Black Africans have a certain dignity about them, which makes them truly noble.
Soon, whatever calm existed amid the squalor is shattered by armoured cars of the White South African police, who maraud the township, and attack the innocent, unarmed occupants in a moment that evokes pure outrage.
We meet the White South African journalist destined to help turn the country around while hearing an inaccurate narrative of the events in the aforementioned township, as printed in the "Daily Dispatch", for which Woods is the editor.
Donald Woods, whose family had lived in South Africa for five generations, considers himself a liberal where the issue of Apartheid is concerned. But his path in life begins to change when one Dr. Ramphele (an exotically beautiful, and beautifully spoken Josette Simon) courageously arrives at Woods' office to personally express displeasure about about the paper's commentary about her friend, Steven Biko, and personally invites Woods to meet him.
Woods is led to a community center for Blacks where Biko's wife, Ntsiki (Juanita Waterman), with her beautiful son, Nkosanthi (George Lovell) in tow, escorts him to a shady area of a yard, where her banned husband can first be viewed in silhouette behind he leaves of a tree.
We see the contrast in Woods' own life --his lovely home in an affluent suburb with his wife, Wendy (Penelope Wilton), five children(Kate Hardie as Jane, Graeme Taylor as Dillon, hamish Stuart Walker as Gavin Adam Stuart Walker as Duncan, and Spring Stuart Walker as Mary), maid Evilina(Sophie Mgcina), and dog, Charlie.
Biko takes Woods on a trip through the Black townships, and introduces him to those helping in the Resistance Movement, most notably, Father Kani(Zakes Mokae). Soon, Woods' photographer, Ken(Kevin McNally, who later appeared with Kline in "De-Lovely") is accompanying Woods and Biko to soccer games that turn into Black political meetings, despite Steve's being a banned person, and both ken and Donald bravely join Biko in his quest to end Apartheid. Soon, Woods is facing he same risks as Biko as he brings Blacks to work in his news room to report the news about the Black community more accurately.
A raid on the Black community center led by one Captain De Wet (Timothy West) prompts Woods to speak with Pretoria's High Commissioner, James Kruger (John Thaw), which does more harm than good, as the police begin to harass Woods' family.
In the meantime, Biko continues to deny White authorities, practicing his belief in his own freedom and his right to travel wherever he wants to in his own land.
Tragically, the law catches up to Biko, and when he is beaten to death by the South African police-- who claim he died during a hunger strike--Woods must expose the truth about what happened---not just locally, but before the whole world.
After attending the beautiful and moving ceremony that is Steven Biko's funeral, Woods learns that he is a banned person, as was Steven; he is sentenced to five years where he cannot write anything publically or privately, nor can he be in the company of more than one person at a time aside from those of his immediate family. He decides that his family must leave South Africa because a publishing company in London wants his story on Steve. His wife objects to this at first. But when the attacks against her family mount, including threatening phone calls, vandalism, and finally, the delivery of chemically contaminated T-shirts to the children, she agrees, and the family find ways around police surveillance to become the 1970s answer to the Von Trapp family, leaving behind a comfortable life under a racist regime from which they might have easily benefitted to convey the story of Biko's struggle to the world.
The scenes of the 1976 massacre of schoolchildren are brutal, but important, as is the lesson provided by this film about how racial injustice does not stay compartmentalized to those for whom it is intended.
Among those helping him reach Lesotho are his friend, Father Kani, at one point, the South African police themselves, as Woods is incognito, and later, there is even assistance from a fellow bearing the rather symbolic name of Moses (Joseph Marcell).
The family's departure from their troubled homeland is almost as triumphant as the onscreen portrayal of the Von Trapp's exodus from Hitler's Austria in "The Sound of Music", but trailed by a very solemn message of a then-still-existing problem in South Africa.
As a coda to this story, the film resulted in a lifelong friendship between the real Donald Woods and his portrayer.
Some may feel that the African actors should have had more screen time. But even so, with Washington's amiably dignified performance counterbalanced by Kline's scholarly and nuanced style, both actors can feel satisfied that the making of this film was among the most important two hours they ever spent onsceen. "
http://www.amazon.com/review/R1YB4EUCR38TE8

Who supposed to read all dat cut and paste shit^^^^^^^^




I go pass on Defiance fuh now... will ketch it on DVD, ah sick and tired ah de blasted WWII and Holocaust stories.

Richpy dai'z big talk yuh coming wid saying dat Rise of the Lycans is the best of the three... b/c the first was boss and de second not too shabby.  Will definitely add this to mih list.

Offline capodetutticapi

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Re: Post ah movie thread
« Reply #128 on: February 01, 2009, 02:26:34 PM »
ah watchin
"Cry Freedom"
I remember it like it happened yesterday

By Deborah Earle
"Fresh from his 1983 Oscar triumph with the film, "Gandhi", director Richard Attenborough tackles the more timely topic of Apartheid in this stirring 1987 drama.
The always-spectacular Denzel Washington and Kevin Kline have the accents down pat in their lead roles as South African Freedom Fighter, Steven Biko, and journalist Donald Woods.
Washington's interpretation of Biko's dignity in the face of the vicious symbols of White authority is more than highly reminiscent of Ben Kingsley's performance in "Gandhi". It is marvelous to watch Washington and Kline interact with each other.
The story begins as dawn arises over a desperately impoverished township in the 1970s. Despite their marginalized existance in their own land, the Black Africans have a certain dignity about them, which makes them truly noble.
Soon, whatever calm existed amid the squalor is shattered by armoured cars of the White South African police, who maraud the township, and attack the innocent, unarmed occupants in a moment that evokes pure outrage.
We meet the White South African journalist destined to help turn the country around while hearing an inaccurate narrative of the events in the aforementioned township, as printed in the "Daily Dispatch", for which Woods is the editor.
Donald Woods, whose family had lived in South Africa for five generations, considers himself a liberal where the issue of Apartheid is concerned. But his path in life begins to change when one Dr. Ramphele (an exotically beautiful, and beautifully spoken Josette Simon) courageously arrives at Woods' office to personally express displeasure about about the paper's commentary about her friend, Steven Biko, and personally invites Woods to meet him.
Woods is led to a community center for Blacks where Biko's wife, Ntsiki (Juanita Waterman), with her beautiful son, Nkosanthi (George Lovell) in tow, escorts him to a shady area of a yard, where her banned husband can first be viewed in silhouette behind he leaves of a tree.
We see the contrast in Woods' own life --his lovely home in an affluent suburb with his wife, Wendy (Penelope Wilton), five children(Kate Hardie as Jane, Graeme Taylor as Dillon, hamish Stuart Walker as Gavin Adam Stuart Walker as Duncan, and Spring Stuart Walker as Mary), maid Evilina(Sophie Mgcina), and dog, Charlie.
Biko takes Woods on a trip through the Black townships, and introduces him to those helping in the Resistance Movement, most notably, Father Kani(Zakes Mokae). Soon, Woods' photographer, Ken(Kevin McNally, who later appeared with Kline in "De-Lovely") is accompanying Woods and Biko to soccer games that turn into Black political meetings, despite Steve's being a banned person, and both ken and Donald bravely join Biko in his quest to end Apartheid. Soon, Woods is facing he same risks as Biko as he brings Blacks to work in his news room to report the news about the Black community more accurately.
A raid on the Black community center led by one Captain De Wet (Timothy West) prompts Woods to speak with Pretoria's High Commissioner, James Kruger (John Thaw), which does more harm than good, as the police begin to harass Woods' family.
In the meantime, Biko continues to deny White authorities, practicing his belief in his own freedom and his right to travel wherever he wants to in his own land.
Tragically, the law catches up to Biko, and when he is beaten to death by the South African police-- who claim he died during a hunger strike--Woods must expose the truth about what happened---not just locally, but before the whole world.
After attending the beautiful and moving ceremony that is Steven Biko's funeral, Woods learns that he is a banned person, as was Steven; he is sentenced to five years where he cannot write anything publically or privately, nor can he be in the company of more than one person at a time aside from those of his immediate family. He decides that his family must leave South Africa because a publishing company in London wants his story on Steve. His wife objects to this at first. But when the attacks against her family mount, including threatening phone calls, vandalism, and finally, the delivery of chemically contaminated T-shirts to the children, she agrees, and the family find ways around police surveillance to become the 1970s answer to the Von Trapp family, leaving behind a comfortable life under a racist regime from which they might have easily benefitted to convey the story of Biko's struggle to the world.
The scenes of the 1976 massacre of schoolchildren are brutal, but important, as is the lesson provided by this film about how racial injustice does not stay compartmentalized to those for whom it is intended.
Among those helping him reach Lesotho are his friend, Father Kani, at one point, the South African police themselves, as Woods is incognito, and later, there is even assistance from a fellow bearing the rather symbolic name of Moses (Joseph Marcell).
The family's departure from their troubled homeland is almost as triumphant as the onscreen portrayal of the Von Trapp's exodus from Hitler's Austria in "The Sound of Music", but trailed by a very solemn message of a then-still-existing problem in South Africa.
As a coda to this story, the film resulted in a lifelong friendship between the real Donald Woods and his portrayer.
Some may feel that the African actors should have had more screen time. But even so, with Washington's amiably dignified performance counterbalanced by Kline's scholarly and nuanced style, both actors can feel satisfied that the making of this film was among the most important two hours they ever spent onsceen. "
http://www.amazon.com/review/R1YB4EUCR38TE8

Who supposed to read all dat cut and paste shit^^^^^^^^




I go pass on Defiance fuh now... will ketch it on DVD, ah sick and tired ah de blasted WWII and Holocaust stories.

Richpy dai'z big talk yuh coming wid saying dat Rise of the Lycans is the best of the three... b/c the first was boss and de second not too shabby.  Will definitely add this to mih list.
it ah lil different from de WW11 movies we accustom to where de jews line up awaitin de ovens,in defiance they actually fightin back and it comical at times.they adopt ah new policy....FOREST WIVES.
soon ah go b ah lean mean bulling machine.

Offline Controversial

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Re: Post ah movie thread
« Reply #129 on: February 01, 2009, 05:30:11 PM »
rock and rolla, boss movie

blindness wasnt that bad either, different way at looking at things

Offline capodetutticapi

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Re: Post ah movie thread
« Reply #130 on: February 01, 2009, 05:33:53 PM »
rock and rolla, boss movie

blindness wasnt that bad either, different way at looking at things
saw rock n rolla ah few weeks back,who de russian billionaire with de football team remind of. :rotfl:
soon ah go b ah lean mean bulling machine.

Offline capodetutticapi

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Re: Post ah movie thread
« Reply #131 on: February 02, 2009, 07:46:31 PM »
wanted is ah pack ah crap.de most enjoyable part was when i hear morgan freeman cuss.
soon ah go b ah lean mean bulling machine.

Offline capodetutticapi

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Re: Post ah movie thread
« Reply #132 on: February 02, 2009, 09:33:34 PM »
it's a mad mad mad world.saw it donkey years ago,it on now,even funnier
soon ah go b ah lean mean bulling machine.

Offline lefty

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Re: Post ah movie thread
« Reply #133 on: February 03, 2009, 12:45:43 PM »
wanted is ah pack ah crap.de most enjoyable part was when i hear morgan freeman cuss.

dunno kinda liked wanted, even with the steups factor present in some of the stunts, but thats what made it cool, the gun play was damn good, but den I is ah John Woo fan, so anything that Hong Kong shooterish does capture mih fancy...................except for "Shoot em Up" jus couldn't like dat movie for some reason ???
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Offline Sando prince

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Re: Post ah movie thread
« Reply #134 on: February 03, 2009, 09:06:15 PM »
rock and rolla, boss movie

blindness wasnt that bad either, different way at looking at things
 

That movie is on my movie to watch list

Offline pass(10trini)

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Re: Post ah movie thread
« Reply #135 on: February 04, 2009, 08:45:29 AM »
Saw wanted Sunday wasn't bad at all. Just a few unbelievable parts(like when de viper skid rong and pick up the fella). Actually like the thought of being able to turn a bullet rong corners.
Stag is a man's beer-
Ah beer is ah carib
choose one

Offline capodetutticapi

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Re: Post ah movie thread
« Reply #136 on: February 04, 2009, 06:45:04 PM »
this will be good...terminator salvation.
http://www.youtube.com/watch?v=zg9ooaozu-8
soon ah go b ah lean mean bulling machine.

Offline Touches

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Re: Post ah movie thread
« Reply #137 on: February 05, 2009, 12:29:15 PM »
I looking forward to seeing Ice age 3.

I real crack up in part 1. I even buy that movie original...the slow mo with the kinda squirrel and the dodo birds was classic.



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Offline Bakes

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Re: Post ah movie thread
« Reply #138 on: February 05, 2009, 12:39:44 PM »
I looking forward to seeing Ice age 3.

I real crack up in part 1. I even buy that movie original...the slow mo with the kinda squirrel and the dodo birds was classic.



The first one was boss... the second one was some shit by comparison.

Offline capodetutticapi

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Re: Post ah movie thread
« Reply #139 on: February 06, 2009, 10:58:53 PM »
taken was good,neeson was serious as ah heart attack.
soon ah go b ah lean mean bulling machine.

Offline Controversial

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Re: Post ah movie thread
« Reply #140 on: February 07, 2009, 04:22:50 PM »
afro samurai ressurection, i have the first complete season, boss, he movie was boss also

Offline Mr Fix-it

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Re: Post ah movie thread
« Reply #141 on: February 09, 2009, 04:59:47 PM »
afro samurai ressurection, i have the first complete season, boss, he movie was boss also

Watchin it now in work LOL.  Yeah it is ah boss flick :beermug: :devil:
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Offline capodetutticapi

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Re: Post ah movie thread
« Reply #142 on: February 15, 2009, 08:33:14 PM »
saw quantum of solace,is really de sequel to casino royale.it was ahrite.
soon ah go b ah lean mean bulling machine.

Offline lefty

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Re: Post ah movie thread
« Reply #143 on: February 16, 2009, 06:47:27 AM »
saw quantum of solace,is really de sequel to casino royale.it was ahrite.

yeah but a hate how dey completely change the action style man, prefer the "rough neck", "rough and tumble"  in Casino Royale, to d Bourne Identity clone QOS turn out be, the fightin was slick, true, but Casino Royale formula was better IMO.
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Offline capodetutticapi

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Re: Post ah movie thread
« Reply #144 on: February 16, 2009, 04:33:52 PM »
saw the wrestler today,definite oscar contender fuh ah small budget film.
soon ah go b ah lean mean bulling machine.

Offline JDB

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Re: Post ah movie thread
« Reply #145 on: February 16, 2009, 07:57:25 PM »
saw the wrestler today,definite oscar contender fuh ah small budget film.

Sadly it wasn't nominated for picture or director. I think it is a shame but I haven't seen the other movies. I thought the director, Aronofsky, did a hell of a job and real pull yuh into the story. Hopefully Rourke will win the individual honour.

Taken was a more than decent movie..

I ent see Gran Torino but I see Taken. Simple concept but very good film. I come out thinking it was a cross between "Man on Fire" (Denzel Washington) and Hostel 2.


saw quantum of solace,is really de sequel to casino royale.it was ahrite.

yeah but a hate how dey completely change the action style man, prefer the "rough neck", "rough and tumble"  in Casino Royale, to d Bourne Identity clone QOS turn out be, the fightin was slick, true, but Casino Royale formula was better IMO.

I didn't see this one yet but I hear plenty people was disappointed when comparing it to Casino Royale. Red flag for me because because I didn't find CR as good as everybody else.
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Offline lefty

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Re: Post ah movie thread
« Reply #146 on: February 16, 2009, 08:10:05 PM »

I didn't see this one yet but I hear plenty people was disappointed when comparing it to Casino Royale. Red flag for me because because I didn't find CR as good as everybody else.


people like CR because u got to see bond as a "bad ass", some suggest that that's what Flemming truly intended, cant say for sure , never read any of the books, but, besides Connery and maybe Dalton no one has really filled that billing until Craig.
I pity the fool....

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Re: Post ah movie thread
« Reply #147 on: February 16, 2009, 08:29:57 PM »

I didn't see this one yet but I hear plenty people was disappointed when comparing it to Casino Royale. Red flag for me because because I didn't find CR as good as everybody else.


people like CR because u got to see bond as a "bad ass", some suggest that that's what Flemming truly intended, cant say for sure , never read any of the books, but, besides Connery and maybe Dalton no one has really filled that billing until Craig.
nah dalton was de worse bond fuh me.roger moore was de man.
soon ah go b ah lean mean bulling machine.

Offline lefty

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Re: Post ah movie thread
« Reply #148 on: February 16, 2009, 08:50:56 PM »

I didn't see this one yet but I hear plenty people was disappointed when comparing it to Casino Royale. Red flag for me because because I didn't find CR as good as everybody else.


people like CR because u got to see bond as a "bad ass", some suggest that that's what Flemming truly intended, cant say for sure , never read any of the books, but, besides Connery and maybe Dalton no one has really filled that billing until Craig.
nah dalton was de worse bond fuh me.roger moore was de man.

yeah but Roger like Pierce, cruise and bull dey way through dem movies with barely a scratch and just like Bourne Identity, they were like Steven Seagal movies......but with better acting, story telling and no steven.............. thank god. 
I pity the fool....

Offline lefty

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Re: Post ah movie thread
« Reply #149 on: February 16, 2009, 09:13:23 PM »
nah dalton was de worse bond fuh me.roger moore was de man.

my comment was strictly related to d "bad ass" versus suave ting and read that he was that ..........or tried anyway, I must have been thirteen when I see "License to kill" a good eighteen yeas pass now so that memory cloudy............an when u dat age, real ting wit shootin and fightin does be "good"
I pity the fool....

 

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